Archives for posts with tag: lettering

Notice the header? You know how I change the typeface every month (go look in the header archive if you haven’t), well now you have a chance to get your typeface up there. This is an open call to showcase new typefaces!

This month I present to you ‘Coalescence’ by Texas-based typographer and bookbinder Becca Hirsbrunner.

Becca says “I created Coalescence as a part of my thesis/final project for my master of fine arts degree from the University of Texas at Arlington. I’ve traveled quite a bit since college, and the design grew out of a beautiful bit of Arabic design, henna patterns, and other details from the pictures I took during my wanderings.

It comes in three versions, each more complicated than the last with dots and swirls and negative areas. At the moment the font only has lower case. I’ve been sketching ideas for capitals ever since completing my degree…but I’ve not yet been able to find a style that matches Coalescence’s current rhythm and personality.




LINKS
http://beccamakingfaces.com/

Thanks very much to Becca for allowing me to feature her work here.

So what typefaces have you designed? I would like to feature new work, experiments and non-commercial typefaces once a month – all you have to do is send me an email with a small sample image attached and a little information about your design. Submissions are welcome from professional designers, students and the typographically inclined.

christopher (at) lestaret (dot) com

I will get back touch with you for more samples and information as I update the blog. Of course, any work submitted will be attributed to you, and links to your website/blog/shop will be included. It’s over to you…

GREENLAND FISHERIES, BRIDGE STREET

Each year the historic buildings in King’s Lynn throw open their doors to the public. Organised by the town’s very active Civic Society, it is an opportunity to visit some of Lynn’s excellent old buildings, many of which are private dwellings or only partially open to the public. I have visited many of the main ones (who will eventually find their way here!) but there are also lots of little hidden gems like the Greenland Fisheries.

The sign outside refers to its time as a pub frequented by fishermen (Lynn was once a whaling port) but it dates back to 1605 when it was built as a merchants house:

I was drawn here by the promise of some hand painted lettering and wall decoration and was not disappointed:

The King’s Lynn Preservation Trust have been working on the restoration and made an excellent job of revealing this long lost work from beneath the plaster. Check the links at the end of this post for more information on the restoration and the building.

Above the window on the second floor is this phrase on several wooden panels at about 5 feet long. This is a composite image and will enlarge well when clicked:

In the tiny back yard this dedication stone stood forlornly against the wall…

And even the drainpipes got the typographic treatment in cast iron!

LINKS
Kings Lynn Preservation Trust
Kings Lynn Civic Society
Whaling from Kings Lynn

So what’s in your neighbourhood?

I am putting out a request for contributors for the “my type of… place” section of this blog and would like you to put together your own typographic tour. If you are interested, download the contributors information sheet for more details, ideas and specifications here.


Another example of the typography of Banks & Miles from 1960. Judging from the page numbers, this appears to be a reprint of an article in a design magazine but there is no identifing information which…

It’s the start of December, which means a new header for  ”my type of…” blog.  Notice the header? You know how I change the typeface every month (go look in the header archive if you haven’t), well now you have a chance to get your typeface up there. This is an open call to showcase new typefaces!

For this month I present to you ‘Punch’ by UK  graphic designer Christopher Skinner. (Me!)

This typeface was first developed for a book design project earlier this year and only consisted of the characters required. Although this design was rejected in favour of a different typographic approach, I was sufficiently pleased with it to develop it into something a little more useable.

The original characters are actually created using a hand punch on some stiff card, which was then photographed with lighting arranged to highlight the depth. Much PhotoShoppery was applied to enable this to work on a variety of surface images…

It is obviously not a functioning font, but is good for a few words here and there.

LINKS
Lestaret
Lestaret’s Blog

So what typefaces have you designed? I would like to feature new work, experiments and non-commercial typefaces once a month – all you have to do is send me an email with a small sample image attached and a little information about your design. Submissions are welcome from professional designers, students and the typographically inclined.

christopher (at) lestaret (dot) com

I will get back touch with you for more samples and information as I update the blog. Of course, any work submitted will be attributed to you, and links to your website/blog/shop will be included. It’s over to you…

A WANDER AROUND ST.PAUL’S, SOUTH ALONG THE RIVER & QUEENS PARK

The second installment of an epic meander through the capital in September…

Starting in Carter Lane, just south of St.Paul’s at what is now a rather down-at-heel YMCA in a spectacularly decorated and sadly dilapidated state. This building, once the choir boys school, is liberally covered in lettering and decoration in a technique called ‘sgrafitto’ where layers of coloured plaster are spread over each other, and the top layer is scraped away to reveal the colour beneath. Water damage has made some probably irreversible damage to this delicate plasterwork. Grrr.

The building is also adorned with other decorative features too like this corner plaque at the rear, where the building joins the old Deanery which needs to be tried for crimes against setting copperplate script in all caps!

On the way through Cheapside we found this marble slab with some pretty uninspiring typography:

Wordsworth would probably spin in his grave if he saw just how a poor choice of typeface could reduce a poem to just words in stone…

Across the river, on Shad Thames some pretty nasty kerning was found… 

But was all redeemed after a couple of pints in The Rake near Blows yard…

Followed by more pints in a variety of establishments along the river…

And some excellent noodles at Cha Cha Moon, with its elegant typography and nimble neon sign…

There were other places after that, but much of that is now strangely lost to me.

The following morning after a hearty fried breakfast we wandered the streets of NW6 and found some items of interest…

And at the point at which I could take no more Helvetica, I spotted this elegant handwritten note alongside some more. I sincerely hope that you are only getting your own mail now, Janette.

So what’s in your neighbourhood?

I am putting out a request for contributors for the “my type of… place” section of this blog and would like you to put together your own typographic tour. If you are interested, download the contributors information sheet for more details, ideas and specifications here.

BY GLENN ADAMS

As a small town boy from the east of England with roots in east London, visiting cities have always been the norm for me, so a trip to Paris to celebrate my first anniversary with my girlfriend Kim seemed like an opportunity to take plenty of “touristy” photos and soak up the romantic atmosphere.

 

From the second we arrived it was love for both of us taking morning walks down the banks of the Seine (granted it was October so it was a tad chilly) and browsing the small boutique shops of the latin quarter.

What really grabbed me for the whole of my stay was the underground graffiti art of Paris. Using conventional spray and stencil work with prints and graphics the results are unique and always eye catching.

 All cities have their own underground art scene each with its own feel and style but the Parisian style is truly something else.

I had fallen in love with this Paris that mixes English and French to express the new, making you feel like one of the cool kids being invited.

The biggest embodiment I found of this was in Rue Saint-Honoré in a store called Colette, literally selling everything you need to impress and burn a few hundred euros. It wasn’t the shop that impressed me though, but what was on the side of the building, a white garage door with simple blue spray paint that somehow made me stop in my tracks.

 

LINKS
http://www.glennadamsphotography.co.uk/

Many thanks for your observations Glenn – it’s great to see how other people pick up on the style of cities and think that this offers another viewpoint of this over photographed city! And best wishes to you and Kim!

So what’s in your neighbourhood?

I am putting out a request for contributors for the “my type of… place” section of this blog and would like you to put together your own typographic tour. If you are interested, download the contributors information sheet for more details, ideas and specifications here.

We continue to ring the changes to the “my type of…” blog. Not  massively, but I think in a way that may appeal to some. Notice the header? You know how I change the typeface every month (go look in the header archive if you haven’t), well now you have a chance to get your typeface up there. This is an open call to showcase new typefaces!

For November I present to you ‘Tangled Jeans’ by freelance illustrator Hwan Uk Choe. This typeface ‘Tangled Jeans’ was commissioned by Calvin Klein Jeans Korea as an artist collaboration event to promote Calvin Klein Gradation Denim.

Living and working in Seoul, Korea, Hwans portfolio is a comprehensive mix of illustration and design, with type playing an important role within his work.  He has some other excellent typefaces on his website too, including ‘Nature,’ ‘Restaurant’, Pasta Party’ and ‘Cellar Door’ to name a few. Go there now – be inspired!

LINKS
http://www.hanuku.com/
http://www.behance.net/hanuku

Thanks very much to Hwan for permission to feature his work here. All the images above remain the copyright of Hwan Uk Choe.

So what typefaces have you designed? I would like to feature new work, experiments and non-commercial typefaces once a month – all you have to do is send me an email with a small sample image attached and a little information about your design. Submissions are welcome from professional designers, students and the typographically inclined.

christopher (at) lestaret (dot) com

I will get back touch with you for more samples and information as I update the blog. Of course, any work submitted will be attributed to you, and links to your website/blog/shop will be included. It’s over to you…

 by Lisette van de Graaf


Barcelona is a city of designers and therefore graphic design can be seen everywhere, in many shapes and forms. So when Christopher invited me to write a guest post for his blog, it was hard to decide on what to choose. Finally, I decided to go with the graphic design and typography that we tend to overlook, as they are omnipresent and such a part of our daily lives that we no longer ‘see’ it. No doubt a lot of work went into creating these examples, so they are well worth showcasing.
The above logo belongs to Barcelona de Serveis Municipals, and more specifically to their network of parking spaces, which can be found all over the city and used by cars, motorbikes and bicycles alike. This particular one belongs to a car park on Carrer Bergara. Below, another example of graphic design for the local council. In this case, it’s for Department for Environment, a council department in charge of managing quality and sustainability criteria for the
provision of urban services and the maintenance of the environment. One of their domains is waste management, to which this logo belongs.



Found underfoot, on Ronda Universitat, is this lovely cast iron cover with the name of its maker prominently displayed. This is not very common these days, as this type of lid usually shows the name of the service provider whose tunnel it covers.


Another ‘old school’ example, is this sign found in the Muntaner underground train station. No doubt the designers of this enamel sign were much inspired by the signs used in the London Underground, for there are a number of similarities to be found.


Much more modern is the design for the local council bikes, called Bicing. Hugely popular, they are used by approximately 58,000 people every day. Their docking stations can be found all over town, and are a great way to move around the city. As use of these is per annual subscription, they are not available to tourists.


Found on a car at a petrol station: the logo for Catalonian television station TV3 – watching their programs is a good way to brush up one’s Catalan language skills!


An old logo which no doubt will be removed soon. It belongs to the former version of the waste disposal department of Barcelona’s city Council. For the design of this logo use was made of the simple floral pattern that can be found in many of Barcelona’s street tiles.


Two similar fonts have been used by Fira de Barcelona and the Regional Train Company, Ferrocarrils de la Generalitat de Catalunya, or FGC. Barcelona considers itself to be a modern city, and so all things graphic are continually renewed and redesigned. As a consequence, most fonts used are clean and simple, especially when used by the various local council bodies.
Thanks Christopher for the invitation to share my type of Barcelona with your readers. I hope you
have all enjoyed this selection.


LINKS
http://www.bsmsa.cat/mobilitat/index.php/home
http://w110.bcn.cat/portal/site/MediAmbient?lang=en_GB
http://www.bicing.cat/
http://cutesuite.wordpress.com/

Thanks to you too Lisette – your blog is a great source of images of modern urban Barcelona – I hope you’ll consider submitting more images soon!

So what’s in your neighbourhood?

I am putting out a request for contributors for the “my type of… place” section of this blog and would like you to put together your own typographic tour. If you are interested, download the contributors information sheet for more details, ideas and specifications here.

It’s time for a little change to the “my type of…” blog. Not a huge one, but one I think may appeal to some. Notice the header? You know how I change the typeface every month (go look in the header archive if you haven’t), well now you have a chance to get your typeface up there. This is an open call to showcase new typefaces!

For October I present to you ‘Flo Studio’ by Canadian graphic designer Charles Nolin.

Charles tells me that this was originally designed as part of a school project, and was encouraged enough to develop the entire character set. Although this is not a fully functioning typeface, it can be used by manually composing each character. It is obviously intended for use as a display face and can be highly customised too.

Charles’ other design work is full of very tasteful typography  and some excellent vector illustrations too  - go check them out!

LINKS
Charles Nolin

Thanks very much to Charles for permission to feature his work here.

So what typefaces have you designed? I would like to feature new work, experiments and non-commercial typefaces once a month – all you have to do is send me an email with a small sample image attached and a little information about your design. Submissions are welcome from professional designers, students and the typographically inclined.

christopher (at) lestaret (dot) com

I will get back touch with you for more samples and information as I update the blog. Of course, any work submitted will be attributed to you, and links to your website/blog/shop will be included. It’s over to you…

A WANDER AROUND FARRINGDON, CLERKENWELL & THE BARBICAN

Its great heading into London for mooch around with like-minded friends. This is part 1 of a long meander, but where better to start than this defunct art supplies shop, still displaying fading adverts for Letraset, Mecanorma and other relics of a bygone age… aah!

I love the juxtaposition of the designer Helvetica sign alongside the original ‘Girls & Infants’ stonework – I’m sure this has been positioned here deliberately!

Around the corner is the old Clerkenwell  Workshops building, now very much a mixed used space, but still proudly displaying its origins

And the subtly cropped Helvetica of one of the areas top design studios…

The best three kings… ever!

The elegance of this whitewashed arch, complete with decorative quoin and understated lettercarving is in stark contrast to the suggestion of the wittily altered street sign!

Above, a very large and bizarre looking number – reminds me of poor quality graffiti!

Whilst below is a more traditional sign with a curiously upside down final letter!

St. John Street has a number of fine architectural details, many of which all relate to the original of the St.John’s Ambulance organisation.

As you wander around, there are legacies of previous uses that have been retained more subtly, and others that are probably some of the deepest carvings around.

And so we get to the ‘love it or loath it’ monolith of the Barbican. I have always had a sneaky admiration for brutalist urban town planning – although much of them never lasted beyond 20 years before they were considered worse than the car parks of the same era!

Somehow, this place has worked. Yes, it’s not pretty, and yes, lots of Londoners and foreigners hate it too, but there’s no denying it works. These places are highly sought after, and for the typographer they retain much of their original Helvetica signage:

Although much of what has been retained has been abused – is that a Gill Sans ‘a’? Wall Side or Wallside? And is that ‘s’ upside down too?

At this point it was raining hard, and coffee had become a necessity, so I’ll leave you with a reflection as well made our way towards St.Pauls…

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